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"Are you in pain?" she says, in a low, fearful tone. "Do you suffer much?",Her tone, gentle but dignified, steadies him.,Mona has no time to hear more; pale, but collected, she walks deliberately into the room and up to Lady Rodney.,Paul Rodney, true to his word, has put in an appearance, much to the amazement of many in the room. Almost as Mona's dance with Nolly is at an end, he makes his way to her, and asks her to give him the next. Unfortunately, she is not engaged for it, and, being unversed in polite evasions, she says yes, quietly, and is soon floating round the room with him.,It is the first time he has ever called her by her Christian name without a prefix. The tears rise to her eyes. Feeling herself discovered, she makes her confession slowly, without looking at him, and with an air of indifference so badly assumed as to kill the idea of her ever attaining prominence upon the stage.,"'She is pretty to walk with,,The painters were told what to do long, long ago, "in about the second generation after the first people.","My dear Oliver!" protests Lady Rodney, mildly.,"Sir," says Mr. Rodney, taking no notice of this preamble, "I shall trouble you to explain what you mean by reducing an inoffensive shoulder-blade to powder.","Very different," says Rodney.,"Bonuvs," says Mona, mildly, going back naturally to the Irish term for those interesting babies.,"He looked as if he wanted to eat you; and I'm sure I don't wonder at it," says Geoffrey, making the addition to his speech in a lower key..